And then I lost track of the likeness, and he went into a weird Timothy Dalton land for a short time. No pics of that stage, but today I think it's starting to shape back up:
Friday, January 23, 2015
Vincent Price Project: More Sculpting
Still a long way to go with this guy. Here's a few shots, each a couple days apart of the last week or so of progress
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tFjVcI79yaeUm0dG4fBatU8hgUzYa6jFX7-WRTb9A0Et_i07QQNZgQRPX3vkTOoh5dy-hVtsQQGB_bUoIOsuTzeqR7EUaaNeFSEJCwaouCCmzsCHnku1bppduWNnQI4v-GOe9X4Sm97k369jKof-nIuOCW=s0-d)
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vaHRO50O3ZkbgVtAX1talkSIvUyJ3Wh3qB6Dc_UA-wy_GjCM7vD7WUztp9fVIyYFi2FX4z35wpvyqF-p_eI5g_nz97DYWNNWr5gqwibjwCFsfREM3A7qfOdZu4vRzkg5smRkfyh0jdUKZ6aelYrCaiml0a2g=s0-d)
And then I lost track of the likeness, and he went into a weird Timothy Dalton land for a short time. No pics of that stage, but today I think it's starting to shape back up:
And then I lost track of the likeness, and he went into a weird Timothy Dalton land for a short time. No pics of that stage, but today I think it's starting to shape back up:
Saturday, January 10, 2015
Vincent Price Project: Beginnings
Here's what's in the works currently. The plan is to have a realistic bust of Vincent Price, with silicone skin, punched hair, acrylic eyes, etc. Should be a nice portfolio piece if it works out how I'm envisioning it.
I'm going for a "House on Haunted Hill" era Vincent.
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_u-UaHKOxP-5-x6VfN2Z7tR2ETU4Z9COZ0dIFJ-h5YQE8iVLuYmZIq26UOHY7awmV84QsE1422DGqb0clnrBoVx0eYxV5kbRYhgqAl0u7CNzFiJiE7XgNV5hmxOD6LZRF_H69xtcxrg65FC4fvYS0jFVJggNuIFFzeUS9z_x3SkpzxCP0KoaTqlWA=s0-d)
Step 1: armature
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_sfc_5rWjw1-zSlCovCjpJSB52-MgLwXP7JpdeXF3MDfsdlNnQ1pjAlSiJmug6k7TEArcbaMq9ybRoN4fz_5WYPWk_7sPc3AG-FvZjLIlceHjaAR6ZQ_H9HNL0sLBBZ2TwBh8ZC-W42LVD-ZvmU0qd7efH1=s0-d)
The less the better, so it doesn't interfere with the proportions of the sculpture. The only reason to sculpt a head on top of another one is if it's going to be a mask.
Step 2: roughing out the sculpture
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vSZq2iPRtVY33jxUsJX8uajRbUUXhWE3rdYyruKYTF3jO-vT1exfU80TJsc8PJ8SociyzZqJ7qrT2oVwFl0E1Vo2SF3h0IjjRYnQJS1W2UQ_6YAdugx1gLOYa1TMahbaVo1zjOHlz4maX3fVrA88sCSFY7eg=s0-d)
I use Chavant NSP Medium clay. This is a few sessions in. Still quite a ways to go.
Incidentally, if you're thinking about doing some sculpting, you may find my Fright Radio segment interesting: http://chickenhaunt.blogspot.com/2014/02/sculpting-tips-fright-radio.html
I'm going for a "House on Haunted Hill" era Vincent.
Step 1: armature
The less the better, so it doesn't interfere with the proportions of the sculpture. The only reason to sculpt a head on top of another one is if it's going to be a mask.
Step 2: roughing out the sculpture
I use Chavant NSP Medium clay. This is a few sessions in. Still quite a ways to go.
Incidentally, if you're thinking about doing some sculpting, you may find my Fright Radio segment interesting: http://chickenhaunt.blogspot.com/2014/02/sculpting-tips-fright-radio.html
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